Monday, May 8, 2017

Respectful Contemporary Design in Historic Neighborhoods


Do you ever walk down a street and see a building that looks interesting but that something is off, as if it does not belong there? For instance, the image below features two buildings that look the same yet it is confusing to differentiate which is the old and which is the new. I believe this approach is unnecessary. It is almost impossible to reproduce the old style using new techniques. 


Our company is different, we believe in designing buildings that should each tell its own story, yet still be relatable to its neighbors.  We love designing in places like Jersey City, a location full of rich history with industrial ties and a fun atmosphere. The most appealing buildings you see when you are in a historic district all have a harmonious rhythm and repetition using similar materials and color palette. This concept stems from urban design, an ideology that uses the historical resources that are already present and expanding upon them. Creating new areas in a space where people already live and give them new ways to engage with one another and with the environment around them. A designer needs to understand what gives a town its special character and how to respectfully integrate their new design into that development. 

Our project 93 Bright is a great example of a contextual real-estate development that is sensitive to historic surroundings and is appropriate in relationship of masses, volumes textures, etc. The building’s heights and widths of the windows, doors, and entries are all a compatible size to it surrounding environment. The roof of the building has a similar profile to its neighboring buildings, creating an attractive and consistent appearance. The diagram below shows our use of a glass connector that links the new addition with the existing building next to us. The glass and wood used are materials used to accentuate the diverse urban fabric of Jersey City creating a cohesive look.

93 Bright
93 Bright





















Architects should not be afraid to use their imagination and step outside the traditional box. It would be a shame if architects continued to create buildings that looked like every other building in the neighborhood constructed 80 years ago. We appreciate the historic sensibility but many older homes do not fit today’s modern needs. Architects can be respectful to a neighborhoods historic charm but still include design diversity.


 It is possible to create an urban design that makes cities functional, sustainable, attractive, and acceptable to the public. I say we should not make buildings that look as if they showed up to a party without receiving an invitation. Designs should be timeless and preserve the beauty of historic neighborhoods yet still lets them shine in the 21st century.
 




Monday, May 1, 2017

Minimalism


Being someone who has always been interested in design, walking around New York City is the gift that keeps on giving. Seeing all the different architectural styles the city has to offer is something to marvel. It amazes me that on one block, you see a very ornate, intricate, heavily decorated building like the St. Patrick’s Cathedral and the next could be a more modern structure like the Seagram building. After comparing all of the different designs, you naturally start to form your own opinion about what is your favorite style and discover which type “speaks to you most.” For me, it is the minimalist styled homes that always catch my eye and gets my greatest sense of appreciation.
Image result for Seagram BuildingImage result for st patrick's cathedral new york
Seagram Building, Mies van de Rohe St. Patrick's Cathedral, James Renwick Jr.
Architecture is about function, form, and beauty. The beauty of minimalism, I believe, lies in how the structure represents a sense of order and purity. Minimalism is a design philosophy that embraces the “less is more” mentality (as German architect Mies van de Rohe would say.) Mies van de Rohe created works often referred to as “skin-and bones architecture,” designs that are reduced or stripped down to the bare minimum of elements. When architects create buildings like this, every element they include has a purpose.  A few characteristics classified as minimalist are:
  1. Simple, clean, open spatial arrangements
  2. Pure proportions, basic geometric forms absent from ornamentation or decoration
  3. Clever uses of textures and harmonious colors
  4. Natural lighting, large windows, flat roofs
I believe that simplicity is elegant and something that goes hand in hand with minimalism. This idea of simplicity stems from the Japanese culture and Zen Philosophy. It is important that when designing, architects should implement materials in meaningful and logical ways.  Japanese architect Tadao Ando for instance is famous for his complex structures despite their simple appearance.
Ando’s Casa Monterrey in Mexico is a great example of design materials precisely placed to highlight where the eye concentrates. For Casa Monterrey Ando used various horizontal and vertical plains emerging from the landscape to highlight the Sierra Las Mitras Mountains. The inside of the home includes a large, open living space, ample natural lighting, and clean finishes.Casa Monterrey house in Mexico by Tadao AndoCasa Monterrey house in Mexico by Tadao Ando
Casa Monterrey, Tadao Ando
I love minimalism because it is like an attitude towards life. Why add on elements you don’t need? When I look at a building that evokes minimalism, I applaud the architect for being brave enough to show restraint and to allow the building to stand on its own beauty.

Citations
  • "5 Characteristics of Modern Minimalist House Designs." YR Architecture + Design. N.p., 28 Feb. 2017. Web. 29 Apr. 2017.
  • Evan Rawn. "Material Masters: Glass is More with Mies van der Rohe" 03 Dec 2014. ArchDaily. Accessed 29 Apr 2017. <http://www.archdaily.com/574575/material-masters-glass-is-more-with-mies-van-der-rohe/>
  • Source: Boundless. "Minimalism." Boundless Art History Boundless, Retrieved 29 Apr. 2017 from https://www.boundless.com/art-history/textbooks/boundless-art-history-textbook/global-art-since-1950-ce-37/dematerialization-235/minimalism-834-10851/
  • Frearson, Amy. "Tadao Ando's Casa Monterrey Nestles against a Hillside in Monterrey." Dezeen. N.p., 19 May 2014. Web. 29 Apr. 2017. Photography by Edmund Sumner
  • Ivanoff, Ada. "Design Minimalism: What, Why & How. — SitePoint." SitePoint. SitePoint, 12 June 2014. Web. 29 Apr. 2017.
  • Widewalls. "The Inspiring Simplicity of Minimalism in Art, Architecture and Design." WideWalls. Urban and Contemporary Art Resource, n.d. Web. 29 Apr. 2017.